日本无码中文字幕片|日本精品在线观看无码视频|国产精品免费啪啪|Av无码一区二区|亚洲在线黄片免费观看|亚洲日韩中文字幕在线观看|熟女激情乱伦在线观看a黄片|成年人观看毛片网址|AV色色色色日韩性草|国产高清无码免费

иxo}

l(f)r(sh)g:2017-05-04 ݋:f

(do)Z(y)(du)иxo}ԓ΂俼?(gu)W(xu)W(wng)иxĿСشиxo}ϣ܌(du)ҵиx俼!

o}иxԇijҊ(jin)}ҪЃɷNʽһǽooֶΆ(wn)ĿģһNt෴

1oĿ}ăɷNʽ

xԇ@(li)}ĿЃɷNͬĿʽһNǽooֶΆ(wn)ĿģһNǽooĿĆ(wn)ֶ

䳣Ҋ(jin)}Ŀʽ£

The author uses X as an example of…

Why does the author mention X?

Why does the author compare … to …?

Why does the author use the word … in discussing…?

The author discusses X in paragraph X in order to…

The author uses X as an example of…

2}

ҳ@ЩoõP(gun)I~綨xõͬλZ(y);СΠ~~;eõ~for instancefor example in other words;Á(li)ጵ~Z(y)because this is why due toȡ

҂(li)һ(g)ӣ

One of the most puzzling aspects of the paintings is their location. Other rock paintingsfor example, those of Bushmen in South Africa are either located near cave entrances or completely in the open. Cave paintings in France and Spain, however, are in recesses and caverns far removed from original cave entrances.

Why does the author mention Bushmen in South Africa in paragraph 2?

To suggest that ancient artists from all over the world painted animals on rocks

To contrast the location of their rock paintings to those found at Lascaux

To support the claim that early artists worked in cramped spaces

To give an example of other artists who painted in hidden locations

ȷ(wn)}}ĿҳеP(gun)I~Bushmen in South Africa֮صԭĿǰľӣҵԭĵP(gun)I~for exampleͨ^(gu)֪@һӵĿǞf(shu)ǰǾԒ(hu)@ЩL(hu)λM(fi)⡣Ԍ(du)ȵַ(li)f(shu)@һc(din)Bushmen in South AfricaL(hu)λڶڻ(gu)ĶѨL(hu)(f(shu)L(hu))sλh(yun)xڵ̎ɴ˿Ҋ(jin)Bushmen in South AfricaǞf(shu)LascauxL(hu)λõĹ֮ڶ(g)x(xing)ϴ⣬_

ҳoõP(gun)I~ҲM(jn)˶λ֮P(gun)I~ڵľY(ji)Ͼ龰ҵ_@(li)иx}ͽ𲢲yԴֻҪJ(rn)澚(x)ͿY(ji)߀ǿõ?jn)?sh)

]
T(mn)]